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Water-rAnt 2019

Water-rAnt is assembling one hundred and fifteen authentic ships from Antwerp, the harbour and the Scheldt river's delta. You'll become acquainted with more than thirty maritime heritage and nautical organisations. Come aboard for cruises to the Dry Docks site, where an extensive programme awaits you. There's also all sorts of things to experience around the MAS!

Migrants on deck

Photographs show the people involved and the circumstances surrounding their emigration. Consequently, photography is an important source of information for the story of the Red Star Line.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

Belgian emigrants

In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.

The conversion of Saul

The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.

Antwerp Hand biscuits

Cookies with a history

The Antwerp Hand biscuits are the most well-known tourist souvenir from the city. In the MAS collection, we find many packagings of the biscuits. However, behind the scenes of the little biscuit, there is more than one story to tell.

Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

Look at Celebration!

Our museum halls are also virtually available. Take a look at the exhibition 'Celebration'

Vonck dental collection

Value assessment

In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.

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