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Freight

About the port, people and cargo

In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

MAStour secondary education

Students will discover the traces that the world has left in Antwerp and the traces that Antwerp has left in the rest of the world, thanks to the port.

Youth takes over museum in Antwerp

MAS in young hands 2006 - 2018, a retrospective

In this brochure, the MAS looks back on the process of MAS in Young Hands and shares all its experiences. A complete overview of its know-how is available online and free of charge.

Antwerp and Japan

Mutual focus

The fascination for Japan from Antwerp's side began early. And, conversely, Antwerp is no stranger to the Japanese either.

20 years 'Flemish Masterpieces Decree'

What is valuable must be protected. That is the logic of the Flemish Masterpieces Decree. Since the creation of this decree in 2003, just about 1,000 objects and collections have been recognised and protected as masterpieces. Through decree, the government also strengthens public collections by acquiring important masterpieces.

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Ancient Glass

Publication of an extraordinary collection

The ancient glass collection is one of the hidden gems at the MAS. It's part of a valuable glass collection numbering nearly 700 objects. For the first time the subcollection of ancient glass is published in a comprehensive catalogue.

The conversion of Saul

The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.

Photo series 'Ahopsan Forest'

Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.