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Belgian emigrants

In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.

Provenance of the Congo collection

The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.

Living Collection, Living Traditions

FREE ENTRANCE | In a diverse city like Antwerp, you can find all kinds of traditions that people still actively practice today. In the Visible Storage, eight people invite you to discover the tradition they continue to live and experience. Each of them selected an object that is indispensable to their tradition and shares what that tradition means to them.

Antwerp and Japan

Mutual focus

The fascination for Japan from Antwerp's side began early. And, conversely, Antwerp is no stranger to the Japanese either.

Display of Power | About Prestige and Symbols

17.05.2011 - 18.02.2018

People have been fascinated by power for centuries. Why is power so seductive? What kind of prestige accompanies it? A highly topical theme in which – who knows? – you may find some personal relevance.

Tuah Mangiring

How are indigenous Batak belief systems preserved and transmitted today, and what challenges do the communities that practise them face? What meanings are held by the Batak artefacts ulos/uis, pustaha and tunggal panaluan within their communities of origin, and how has this changed over time?

Photo series 'Ahopsan Forest'

Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.

6 highlights from the exhibition