The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.
Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.
In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.
CLOSED - Migration is about living and working in an unfamiliar place. It’s about long-distance love and growing up in a foreign city, a new home. You discovered the story of 50 years of migration from Morocco and Turkey on the fifth floor of the MAS.
Looking for the sewer crocodile, listening to talking tableware, playing board games or drawing on the walls.... In the playful new family exhibition "Anybody home?" you will explore the MAS collection together with your (grand) children. You reflect on what a 'home' means. And one thing can already be revealed: it is different for everyone.
The painting 'Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803' by Mathieu Ignatius Van Bree was added to the list of Top Pieces by the Flemish Government. The large oil painting hangs in the Palace of Versailles, an identical work in a small format belongs to the MAS collection.
Among the two million Europeans who traveled to America on the Red Star Line was a five year old boy from Russia. The boy’s name was Israel ‘Izzy’ Beilin. He would grow up to gain world-wide fame as Irving Berlin with songs like 'White Christmas', 'Puttin' on the Ritz' and 'There's No Business Like Show Business'.
Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.
The expo featured loans from the Royal Yacht Club of Belgium and private collectors. A detailed Antwerp roadsted view and ship models attributed to Robert Mols, were the eye-catchers from the MAS collection.
