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Art of America

Learn more about the extraordinary connection between humans and the world of gods, ancestors, and spirits in pre-European America.

Take a virtual look at 'World Port'

Our museum halls are also virtually available. Explore our exhibition 'World Port'.

winkelkar bedolven onder een berg witte korrels

Antwerp à la carte

Take a virtual look in the museum hall.

The corner shop

19.04.2016 - 2.04.2017

CLOSED - "The corner shop" highlighted the colourful history of Antwerp's shops and shopkeepers in the MAS boulevard. MAS asked photographer Sanne De Wilde to find out more about the people who run local shops in the city today. The result was a colourful and diverse portrait series. Combined with old photos, the exhibition showed the human face behind the corner shops of the city since the Fifties.

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Luc Tuymans. Glasses

For the exhibition "Glasses", Luc Tuymans looks back at his oeuvre thematically for the first time. It includes portraits, of ‘nameless people’ and historic figures, and other works. The leitmotiv is a ‘pair of glasses’.

New admission prices

Starting from 30.10.2021

As of October 30, 2021, the price of admission to the MAS will change. We will bring it in line with those of domestic and foreign museums. At the same time, the discount policy will be adjusted and become more transparent.

Scheldt Free!

The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.

Sacred Places, Sacred Books

19.09.2014 - 18.01.2015
CLOSED - ‘Sacred Places, Sacred Books’ brought Rome, Mecca and Jerusalem to Antwerp. You discovered the differences and similarities between Judaism, Christianity and Islam. More than 200 works of art, historical and religious treasures were on display.

Provenance of the Congo collection

The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.

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