On display until 14 January 2024 at the Wellington Museum in Waterloo
A small selection of cultural artefacts from Egyptian antiquity temporarily finds its place at the Wellington Museum in Waterloo. The exhibition uses historical documents, weapons and Egyptian antiquities to show what influence the land of the pharaohs has had on the European public for centuries.
The exhibition 'Cool Japan' immersed you in the worldwide fascination for Japanese visual culture with icons such as Hello Kitty, Zelda and Sailor Moon ..
CLOSED | Celebration! invited you to celebrate the moments of transition in life. A mix of festive objects, in an colourful arrangement with a unique soundtrack.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
Thanks to the documentary by Christian Barani, during the exhibition, you will feel as if you are strolling through the streets of Chandigarh. Eight large screens show you how the current residents live in the carefully planned city, long after the architect is gone.
In the centre of this altarpiece, those close to Christ are mourning his death, and above in miniature, we see Christ again, but alive and in the limbo of Hell. Below, each of the three women are depicting a virtue: Faith, Hope and Love. When the altarpiece is closed, you can see the tortured Christ being shown to the people on the left, and on the right, Jesus being offered a sweat cloth by Veronica.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.
This year, we are creating the city's playlist for the Altar of Antwerp. This playlist will consist of songs that city residents bring in. Each song is linked to a moment, a person or a feeling that the participant wants to evoke.
The 54 preserved miniatures in this series together form a visual guide for meditation on a mandala. This is a depiction of the cosmos, in this case with Sarvavid Vairocana – the most important of the five heavenly or dhyani Buddhas.
