The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.
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Concealed behind Dutch Ethical Policy there was the reality of resistance to colonial rule being violently suppressed through so-called ‘pacification’ campaigns. Christoffel became simultaneously one of the most notorious agents of these campaigns and one of the most highly decorated.
Antwerp was a particularly popular port of emigration among Jews from Central and Eastern Europe. These people constituted a sizeable proportion of the Red Star Line’s passengers. The shipping company recruited its “customers” from deep within Eastern Europe.
On the square in front of the MAS, you literally walk around on world-quality art. A huge mosaic by one of Antwerp’s most fascinating living artists, Luc Tuymans, occupies the Hanzestedenplaats.
The Flemish non-profit organisation Sensoa donated its collection of quilts to the MAS. It consists of unique and personal canvases, each commemorating an AIDS victim. The creations are not limited to the traditional quilting (patchwork) technique. Some canvases were drawn or painted.