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Tile panel

The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.

The MAS has many more stories to tell

In the exhibition, you can listen to twelve stories from Antwerp and around the world. But the MAS has collected many more. Read a few more here.

In the MAS

Can you take a stroller into the museum galleries? What do you do with your coat and bag? Where are the restrooms? Find answers to these and other practical questions here.

Grain elevator 19

The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.

Everyday Fear

V-bombs in Antwerp, 1944-1945
In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.

Egyptian antiquities to Waterloo

On display until 14 January 2024 at the Wellington Museum in Waterloo

A small selection of cultural artefacts from Egyptian antiquity temporarily finds its place at the Wellington Museum in Waterloo. The exhibition uses historical documents, weapons and Egyptian antiquities to show what influence the land of the pharaohs has had on the European public for centuries.

Soundtrack Celebration!

Get to know the artists

Seven Antwerp artists created a unique soundtrack that could be heard at the exhibition Celebration! Who are they?

Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

Previous loans

You could admire these collection pieces in other exhibitions, both in domestic and foreign museums. An overview of the objects we gave on loan in the past.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

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