In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
100 X Congo features one hundred highlights. What stories are hidden behind the objects? How did they end up here? What did they mean to Congolese peoples?
At Portopolis you put on a VR visor for a 360° tour and feel the port come to life! Walk across the large aeriel photograph and discover all special hotspots on offer in our port.
It is with fond memories and the utmost respect that the MAS says goodbye to Jacob Sabakinu Kivilu, an esteemed bridge-builder between Congolese and Belgian universities and museums.
In addition to work by 18th-century artist Katsushika Hokusai, known as 'the Rembrandt of Japan', contemporary art was also well represented in the exhibition.
This year, we are creating the city's playlist for the Altar of Antwerp. This playlist will consist of songs that city residents bring in. Each song is linked to a moment, a person or a feeling that the participant wants to evoke.
People have been fascinated by power for centuries. Why is power so seductive? What kind of prestige accompanies it? A highly topical theme in which – who knows? – you may find some personal relevance.
Photographs show the people involved and the circumstances surrounding their emigration. Consequently, photography is an important source of information for the story of the Red Star Line.
Antwerp was a particularly popular port of emigration among Jews from Central and Eastern Europe. These people constituted a sizeable proportion of the Red Star Line’s passengers. The shipping company recruited its “customers” from deep within Eastern Europe.