It is with fond memories and the utmost respect that the MAS says goodbye to Jacob Sabakinu Kivilu, an esteemed bridge-builder between Congolese and Belgian universities and museums.
The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.
CLOSED | Celebration! invited you to celebrate the moments of transition in life. A mix of festive objects, in an colourful arrangement with a unique soundtrack.
In addition to work by 18th-century artist Katsushika Hokusai, known as 'the Rembrandt of Japan', contemporary art was also well represented in the exhibition.
The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.