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Provenance of the Congo collection

The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.

An entire city in one museum space

Thanks to the documentary by Christian Barani, during the exhibition, you will feel as if you are strolling through the streets of Chandigarh. Eight large screens show you how the current residents live in the carefully planned city, long after the architect is gone.

Soundtrack Celebration!

Get to know the artists

Seven Antwerp artists created a unique soundtrack that could be heard at the exhibition Celebration! Who are they?

Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

100 x Congo

A century of Congolese art in Antwerp

The exhibition '100 x Congo' focuses on one hundred unique Congolese works.What are the stories behind the Congolese objects? And how did they end up here? What was their significance to various Congolese peoples? And where lies the future of the collection?

XIIth North Sea History Conference

The XIIth North Sea History Conference in 2017 seeks to involve maritime museum professionals and academic scholars, to generate knowledge and present new findings about the maritime culture of the North Sea region.

Antwerp Hand biscuits

Cookies with a history

The Antwerp Hand biscuits are the most well-known tourist souvenir from the city. In the MAS collection, we find many packagings of the biscuits. However, behind the scenes of the little biscuit, there is more than one story to tell.

One concept, many cultures

Nearly 400 objects provide a wonderful overview of the many traditions in America.

More indians, less cowboys

A journey into life below the waterline

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?