You could admire these collection pieces in other exhibitions, both in domestic and foreign museums. An overview of the objects we gave on loan in the past.
The nine contemplations on the impurity of the human body depicts how finite the human body is. Japanese monks used such series as an aid to their meditation.
CLOSED | Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. The exhibition 'Wordl Port' dived into the history of our port.
CLOSED | Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. Dive into the history of our port.
FREE ENTRANCE | Maria Nijs assembled 200 precious dolls, made in Europe between 1830 and 1930. From her remarkable collection, MAS acquired eleven of these dolls. A painting of Maria with her favorite dolls, created by her father, is also part of the MAS collection. The 11 dolls, together with the painting, can be admired in the Visible Storage starting June 9.
The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.
As well as an architect, Le Corbusier was also a furniture designer, a painter, a sculptor and an influential theorist. He is sometimes called ‘the architect of the 20th century’. His ideas were showered with praise, but he also received a lot of criticism.
Thanks to intensive restoration, a large float was prepared for the exhibition 'Listen. Stories found in the city'. You can read about how the restoration of this piece was carried out and what choices were made here.
Napoleon's visit to Antwerp in 1803 was a high point for the city on the Scheldt. Joséphine de Beauharnais, Napoleon's wife, ordered a painting to immortalise the entry. This is a preliminary sketch for that.
