500,000 exhibits offer a varied perspective on the city and its age-old contacts with the world. Some of them are displayed in permanent and temporary exhibitions, but most are kept in storage.
Many museums in Belgium and abroad are eager to borrow works from the MAS. You may come across pieces from the MAS collection at exhibitions all over the world.
In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.
Do you want to be able to enjoy all the MAS’s objects from the past, from Antwerp and from the world at any time and in any place? Well, you can, because the MAS also has its entire collection online.
The Eilandje was the place where people gathered on their way to the New World. The magnificent Red Star Line steamers moored on the quay just before the bend in the Scheldt River. When the steam whistle announced an impending departure, the quay swarmed with activity. The Eilandje is currently a sought after place in the city.
Portopolis is the perfect place to discover the port in a playful and interactive way. Immerse your class in the fascinating world of the port. Portopolis offers a free one-hour programme for both elementary and high schools.
Among the two million Europeans who traveled to America on the Red Star Line was a five year old boy from Russia. The boy’s name was Israel ‘Izzy’ Beilin. He would grow up to gain world-wide fame as Irving Berlin with songs like 'White Christmas', 'Puttin' on the Ritz' and 'There's No Business Like Show Business'.
As well as an architect, Le Corbusier was also a furniture designer, a painter, a sculptor and an influential theorist. He is sometimes called ‘the architect of the 20th century’. His ideas were showered with praise, but he also received a lot of criticism.
The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.
