In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.
FREE ENTRANCE | In a diverse city like Antwerp, you can find all kinds of traditions that people still actively practice today. In the Visible Storage, eight people invite you to discover the tradition they continue to live and experience. Each of them selected an object that is indispensable to their tradition and shares what that tradition means to them.
How are indigenous Batak belief systems preserved and transmitted today, and what challenges do the communities that practise them face? What meanings are held by the Batak artefacts ulos/uis, pustaha and tunggal panaluan within their communities of origin, and how has this changed over time?
The exhibition brings together more than 150 objects across 5 themes. Behind each object lies a unique story. We give you a selection of remarkable pieces.
Does a sewer crocodile find her home cozy? And just how welcome is a spider in yours? Ponder these questions with an absent-minded professor or even with a… talking set of dishes. The quirky characters in the family exhibition “Anybody Home?” take you on an imaginative journey and invite you to reflect: how can “home” mean something different to everyone?
An object leaves on a trip to another museum, another undergoes research. Or a special piece is recognised as a Flemish Masterpiece. Or our collection expands.
