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Stories by pupils

FREE ENTRANCE | De Wondere Pluim is an annual writing contest for elementary school students. Their stories must be inspired by an object from the MAS collection. The MAS honors the winners, the objects that served as inspiration are put on display, and the stories—read aloud by the children themselves—can be listened to in the Visible Storage.

Stuff

Guy Rombouts and Benjamin Verdonck rearrange Jaap Kruithof

The Belgian philosopher Jaap Kruithof collected things that other people usually discard. Half of his collection is now given a new life thanks to the work of visual artists Guy Rombouts and Benjamin Verdonck.

New acquisitions on the seventh floor in the MAS

Jan Cox and Daniel von Weinberger

The permanent exhibition 'Life and Death. Gods and Mankind' shares ideas about life and death in different cultures and ideologies. New acquisitions by Jan Cox represent the secular humanism theme. The theme Judaism is given a new interpretation with an installation by Daniel von Weinberger.

Pop-up tattoo shop in “Body Art” exhibition

During the “Body Art” exhibition, you can see tattoo artists at work in a real tattoo shop or get your own exclusive tattoo.

MAS loans Robert Mols

CEPA-expo

The expo featured loans from the Royal Yacht Club of Belgium and private collectors. A detailed Antwerp roadsted view and ship models attributed to Robert Mols, were the eye-catchers from the MAS collection.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

The ‘Hans Christoffel Collection’

A heritage collection from the colonial context of the Dutch East Indies at the MAS

About the MAS

Grain elevator 19

The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.

100 x Congo

A century of Congolese art in Antwerp

100 X Congo features one hundred highlights. What stories are hidden behind the objects? How did they end up here? What did they mean to Congolese peoples?