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Cool Japan

The MAS exhibit, 'Cool Japan', took you on a whirlwind tour of the global fascination for Japanese visual culture with icons such as Hello Kitty, Zelda and Sailor Moon.

Anybody home?

Looking for the sewer crocodile, listening to talking tableware, playing board games or drawing on the walls.... In the playful new family exhibition "Anybody home?" you will explore the MAS collection together with your (grand) children. You reflect on what a 'home' means. And one thing can already be revealed: it is different for everyone. 

Become a sponsor

Sponsor the MAS and become our business partner. The MAS can offer enterprises a lot.

The MAS lends its collection

We are happy to lend our collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.

Loans

We are happy to lend the collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.

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Film Dance

On Saturday 6 April 2013 the artist and filmmaker Hans Op de Beeck made “Dance”, a contemporary film about migration for the Red Star Line Museum. It was a cold spring day but the commitment and the enthusiasm of the 770 extras was heart-warming.

Our sponsors

Become acquainted with our loyal partners. The MAS and its operation continue to exist thanks to their financial and material contributions.

MAS tour for non-Dutch-speakers

On this tour, you'll learn the story behind this exceptional building and its collections and exhibitions. Experience the encounters that the river and the port have brought about for centuries.

Book a guide via Experience Antwerp

Mystical Marriage of Christ

2 stained-glass windows

The MAS collection contains a number of beautiful stained-glass windows from the 15th, 16th and 17th centuries. Two of the rare intact examples are listed as Flemish masterpieces: rather large stained-glass windows from around 1600 depicting the Mystical Marriage of Christ.

 

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