The Eilandje was the place where people gathered on their way to the New World. The magnificent Red Star Line steamers moored on the quay just before the bend in the Scheldt River. When the steam whistle announced an impending departure, the quay swarmed with activity. The Eilandje is currently a sought after place in the city.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.
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The exhibition “Breedbeeld” in the new art hall sheds new light on Bruges as a metropolis from 900 to 1550. MAS contributes to this prestigious inaugural BRUSK exhibition with a unique ivory masterpiece from the African collection, as well as a cast of a 9th‑century stern ornament.
The expo featured loans from the Royal Yacht Club of Belgium and private collectors. A detailed Antwerp roadsted view and ship models attributed to Robert Mols, were the eye-catchers from the MAS collection.
The Flemish non-profit organisation Sensoa donated its collection of quilts to the MAS. It consists of unique and personal canvases, each commemorating an AIDS victim. The creations are not limited to the traditional quilting (patchwork) technique. Some canvases were drawn or painted.
The permanent exhibition 'Life and Death. Gods and Mankind' shares ideas about life and death in different cultures and ideologies. New acquisitions by Jan Cox represent the secular humanism theme. The theme Judaism is given a new interpretation with an installation by Daniel von Weinberger.
