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Tile panel

The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.

Provenance of the Congo collection

The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

Tickets & Rates

Book your ticket(s) here. What are the rates and what if you want to come with a group? Or do you plan a school visit?

Manned V1

Manned flying bomb at La Coupole, France

On June 12, 1945, American Brigadier General Clare H. Armstrong donated two V-bombs to Antwerp as a reminder of the bitter struggle: an intact V1 practice bomb and a slightly damaged manned flying bomb. This bomb, the ReIV, we loaned to the Musée La Coupole near Saint-Omer in northern France.

Bring your class to the MAS

Teachers can act as a guide and provide a tour for their class at the MAS. Or they can book a guided tour for their class.

What's on display?

The MAS tells the story of centuries of contact between Antwerp and the world. You'll experience part of the tale on every floor.

Actual loans

In the MAS, you can see the world. Or at least part of it, because the world also wants to see the MAS. After all, the extraordinary pieces in the MAS are often of great interest to other national and international museums. The MAS regularly receives requests for temporary loans of objects. And we are happy to do so. The pieces from the MAS collection can be found not only in Antwerp, but all over the world.

Float

From parade to museum

Thanks to intensive restoration, a large float was prepared for the exhibition 'Listen. Stories found in the city'. You can read about how the restoration of this piece was carried out and what choices were made here.

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