In this brochure, the MAS looks back on the process of MAS in Young Hands and shares all its experiences. A complete overview of its know-how is available online and free of charge.
Recently, the Flemish Community acquired 'The Virgin of Consolation' by James Ensor. The painting had been on the 'Flemish Masterpieces' list since 2007. You can see the painting until 25 February in the 'Rare & Indispensable' exhibition. After that, it will be given into long-term loan at the MSK in Ghent.
AThe opening weekend of ‘Antwerp Baroque 2018. Rubens inspires’ kicks off on the 1st of June! Visit the new expositions ‘Michaelina’, 'Celebration!' and the solo exhibition of photographer Athos Burez.
The 54 preserved miniatures in this series together form a visual guide for meditation on a mandala. This is a depiction of the cosmos, in this case with Sarvavid Vairocana – the most important of the five heavenly or dhyani Buddhas.
Antwerp was a particularly popular port of emigration among Jews from Central and Eastern Europe. These people constituted a sizeable proportion of the Red Star Line’s passengers. The shipping company recruited its “customers” from deep within Eastern Europe.
For the exhibition 'Postcolonial?' at the House of European History in Brussels, the MAS is lending an artefact from Mayan culture. It is an object from the collection of Paul & Dora Janssen-Arts.
The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.
Unable to choose? Then why not visit every floor of the MAS? Book the full MAS tour, accompanied by a passionate guide. You will receive detailed explanation about all the themed rooms, which will be available free of charge all day long.
An assessment of the cultural-historical values of the MAS' vessel collection. A stepping stone towards the development of a clear future vision for the collection.
