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Dimitri Leue & Tine Embrechts

Interview

Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.

Collaboration

An exhibition with multiple voices
For the exhibition, the MAS collaborates with Belgian and Congolese artists, filmmakers and researchers. An overview.

Practical information

The well-being of our visitors and employees is very important to us. We ensure a safe and relaxing museum visit, but we do ask you to take and follow some precautions.

Privacy policy

The City of Antwerp attaches great importance to the protection of your privacy when processing personal data regarding the use of www.mas.be.

Saluting Admiral Couple

On the shoulder of the MAS
At the request of the city of Antwerp, the Antwerp artist Guillaume Bijl created the artwork Saluting Admiral Couple for the fifth anniversary of the MAS. The work gives the monumental building a playful and surprising touch.

Area

The Eilandje was the place where people gathered on their way to the New World. The magnificent Red Star Line steamers moored on the quay just before the bend in the Scheldt River. When the steam whistle announced an impending departure, the quay swarmed with activity. The Eilandje is currently a sought after place in the city.

Collection Paul en Dora Janssen-Arts

Meet Dora Janssen-Arts and her collection, and let yourself be swept away by her passion for collecting.

Previous loans

You could admire these collection pieces in other exhibitions, both in domestic and foreign museums. An overview of the objects we gave on loan in the past.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

Vonck dental collection

Value assessment

In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.

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