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Antwerp à la carte

About cities and food

The history of the city, on the surprising, erratic and often invisible trail of food. An exhibition that excites all your senses.

Masterpieces in the MAS

17.05.2011 - 30.12.2012

CLOSED - The MAS opened in May, 2011 with the temporary exhibition: "Masterpieces in the MAS. Five centuries of images in Antwerp."

Celebration! | About colourful rituals

CLOSED | Celebration! invited you to celebrate the moments of transition in life. A mix of festive objects, in an colourful arrangement with a unique soundtrack.

Dimitri Leue & Tine Embrechts

Interview

Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.

Collaboration

An exhibition with multiple voices
For the exhibition, the MAS collaborates with Belgian and Congolese artists, filmmakers and researchers. An overview.

Practical information

The well-being of our visitors and employees is very important to us. We ensure a safe and relaxing museum visit, but we do ask you to take and follow some precautions.

Privacy policy

The City of Antwerp attaches great importance to the protection of your privacy when processing personal data regarding the use of www.mas.be.

Area

The Eilandje was the place where people gathered on their way to the New World. The magnificent Red Star Line steamers moored on the quay just before the bend in the Scheldt River. When the steam whistle announced an impending departure, the quay swarmed with activity. The Eilandje is currently a sought after place in the city.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

Vonck dental collection

Value assessment

In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.

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