The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.
Among the two million Europeans who traveled to America on the Red Star Line was a five year old boy from Russia. The boy’s name was Israel ‘Izzy’ Beilin. He would grow up to gain world-wide fame as Irving Berlin with songs like 'White Christmas', 'Puttin' on the Ritz' and 'There's No Business Like Show Business'.
Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.