The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.
You didn't yet manage to come and see '100 x Congo' in the MAS? Or would you like to take another look at the exhibition after your visit? Our guide Baudouin Mena takes you through the museum hall in our digital exhibition and gives you some additional information.
Mention of heritage in Antwerp immediately puts us in mind of the cathedral or a painting by Rubens. But the Reuzenstoet (Giants’ Parade) or an ancient tree are also part of our heritage, and the same is true of everything we have built up over the centuries in our society.
In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
On display until 14 January 2024 at the Wellington Museum in Waterloo
A small selection of cultural artefacts from Egyptian antiquity temporarily finds its place at the Wellington Museum in Waterloo. The exhibition uses historical documents, weapons and Egyptian antiquities to show what influence the land of the pharaohs has had on the European public for centuries.
For the exhibition 'Postcolonial?' at the House of European History in Brussels, the MAS is lending an artefact from Mayan culture. It is an object from the collection of Paul & Dora Janssen-Arts.
The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.
An assessment of the cultural-historical values of the MAS' vessel collection. A stepping stone towards the development of a clear future vision for the collection.
