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The Antwerp corona archive

The MAS and the FelixArchief invited all Antwerp citizens to contribute to an archive about daily life during the coronapandemic in Antwerp. Many Antwerp citizens responded with an often very personal contribution.

Photo series 'Ahopsan Forest'

Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.

Collection online

Do you want to be able to enjoy all the MAS’s objects from the past, from Antwerp and from the world at any time and in any place? Well, you can, because the MAS also has its entire collection online.

Visit the MAS with a group

Check out all possibilities for visiting the MAS in group, with or without a guide.

Masterpieces from the Governement of Flanders

Flanders possesses a magnificent collection of movable cultural heritage. With the 'Masterpieces Decree', the Flemish government wants to protect these unique cultural objects. Based on the decree, a list of rare and indispensable objects was compiled. Some of them are part of the MAS collection.

Nello and Patrasche

Jan Corteel devoted himself to promoting the story of Nello and Patrasche in Antwerp and Belgium. Over the years, Jan even built up a Nello and Patrasche collection, with all kinds of merchandise and various editions of the book. He donated this collection to the MAS.

Curious?

Stories from the exhibition

Read and listen to excerpts from a sampling of the stories featured in the exhibition. Love, drama, greed ... It's got it all!

Support the MAS

Do you want to safeguard the future of the museum? There are different ways to contribute. Look at all the ways you can support the MAS.

Support the MAS

Do you want to safeguard the future of the museum? There are different ways to contribute. Look at all the ways you can support the MAS.

A Batak Pustaha looted from the last Singamangaraja

Two pustaha in the ‘Christoffel Collection’ have been identified in all likelihood as having been looted from Sisingamangaraja XII, a Batak ruler and national hero. What can palaeographic, linguistic and topographic analysis reveal about their provenance, history, and intended use?