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Visible Storage

FREE ENTRANCE | The Visible Storage gives you a look behind the scenes of the MAS. More than 180,000 collection pieces on tall racks, stacked and labelled, await their turn to be exhibited.

Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

Mystical Marriage of Christ

2 stained-glass windows

The MAS collection contains a number of beautiful stained-glass windows from the 15th, 16th and 17th centuries. Two of the rare intact examples are listed as Flemish masterpieces: rather large stained-glass windows from around 1600 depicting the Mystical Marriage of Christ.

 

Collection items to the Fisheries Museum

The NAVIGO Fisheries Museum in Oostduinkerke reopened its doors on 7 September 2024. The MAS gave some remarkable pieces on loan.

Restaurateur speaking

Interview with Pierre-Yves Kairis

Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier. 

Schools

The Red Star Line Museum is a great destination for a surprising class outing.

Stuff

3.04.2020 - 6.06.2022

CLOSED - The Belgian philosopher Jaap Kruithof (1929-2009) collected 10,000 items, things that other people usually discard. Half of the Kruithof collection - which was donated to the MAS - was given a new life thanks to the visual work of artists Guy Rombouts and Benjamin Verdonck. In the MAS, they created a new installation with the objects.

MAS tour for non-Dutch-speakers

On this tour, you'll learn the story behind this exceptional building and its collections and exhibitions. Experience the encounters that the river and the port have brought about for centuries.

Book a guide via Experience Antwerp. 

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Vonck dental collection

Value assessment

In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.