CLOSED - ‘Sacred Places, Sacred Books’ brought Rome, Mecca and Jerusalem to Antwerp. You discovered the differences and similarities between Judaism, Christianity and Islam. More than 200 works of art, historical and religious treasures were on display.
CLOSED - Everyone knows them: the baker, the butcher, the greengrocer, the grocer round the corner. You drop in and do your shopping. There’s lots to tell about: the shopkeepers, the customers, the merchandise and of course the shops themselves. But you can saw for yourself in this exhibition, in the neighbourhoods where the stories were collected.
The photographer Herman Selleslags and the author Pascal Verbeken took an unforgettable journey through Europe. They packed the diary of the Jewish teenager Benjamin Kopp, who was born in a village near Warsaw and was a Red Star Line passenger in 1912, in their suitcase.
CLOSED - Magritte, Bacon, Ensor, Moore, Jordaens, Rubens … These were just some of the world-famous names on display at the MAS. 'Rare and indispensable' brought a unique selection of masterpieces from the Flemish masterpiece list.
The MAS is a striking red building on the waterfront. What is the origin of this contemporary warehouse? What techniques did its architects use, and why? Ask all your questions during the MAS architectural tour.
CLOSED - With “Body Art” the MAS has developed a varied exhibition about forms of body adornment, from make-up and tattoos to scarification and surgical changes, throughout the centuries and in different cultures. The main question in this exhibition was “Why do people alter their body?”
CLOSED - Migration is about living and working in an unfamiliar place. It’s about long-distance love and growing up in a foreign city, a new home. You discovered the story of 50 years of migration from Morocco and Turkey on the fifth floor of the MAS.
Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.
