Water-rAnt is assembling one hundred and fifteen authentic ships from Antwerp, the harbour and the Scheldt river's delta. You'll become acquainted with more than thirty maritime heritage and nautical organisations. Come aboard for cruises to the Dry Docks site, where an extensive programme awaits you. There's also all sorts of things to experience around the MAS!
Napoleon's visit to Antwerp in 1803 was a high point for the city on the Scheldt. Joséphine de Beauharnais, Napoleon's wife, ordered a painting to immortalise the entry. This is a preliminary sketch for that.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
FREE ENTRANCE | Discover ‘Tatreez’ (Palestinian embroidery) in the Visible Storage. Historical pieces from the MAS collection are displayed alongside contemporary creations. The presentation shows how this centuries-old embroidery tradition is much more than just decoration on textiles.
The Dutchman Pierre Gole made the exceptional ceremonial table for the castle of Vincennes, as commissioned by Louis XIV himself. It is one of the most important pieces of furniture in public ownership in Belgium.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
The painting 'Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803' by Mathieu Ignatius Van Bree was added to the list of Top Pieces by the Flemish Government. The large oil painting hangs in the Palace of Versailles, an identical work in a small format belongs to the MAS collection.
A world famous collection that tells us about the extraordinary relationship between man and the world of gods, ancestors and spirits in America before the conquest by the Europeans.
