Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.
As of October 30, 2021, the price of admission to the MAS will change. We will bring it in line with those of domestic and foreign museums. At the same time, the discount policy will be adjusted and become more transparent.
The MAS collection grows every year. We look for new acquisitions ourselves, but also receive offers in the form of a donation or an inheritance. We also invite people to contribute actively to the MAS collection through appeals.
CLOSED | What can be heritage? What has value and what does not? A photo exhibition in the boulevard explored these questions. It showed the people behind the city's heritage. And the exhibition was complemented by online stories.
Together with parents and the MAS, arts organisation De Veerman organises an annual writing competition for primary school pupils called 'De Wondere Pluim'. Children get to write a story inspired by an object from our collection.
The ancient glass collection is one of the hidden gems at the MAS. It's part of a valuable glass collection numbering nearly 700 objects. For the first time the subcollection of ancient glass is published in a comprehensive catalogue.
Many museums in Belgium and abroad are eager to borrow works from the MAS. You may come across pieces from the MAS collection at exhibitions all over the world.
Communities and individuals as well as museum and academic partners contribute to the MAS stories. For each project, partners complement each other's knowledge and talents.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 5,000 cultural objects come into being? A two-year research project will map this out more clearly.
