The MAS focuses on a piece of city history from the Second World War. In the pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
At the request of the city of Antwerp, the Antwerp artist Guillaume Bijl created the artwork Saluting Admiral Couple for the fifth anniversary of the MAS. The work gives the monumental building a playful and surprising touch.
Le Corbusier (1887-1965) was an architect who believed that the way a city is built can improve the lives of its residents. He drew up plans for Antwerp-Linkeroever that were never completed and he built an entirely new city in India called Chandigarh. This exhibition immerses you the ideas of Le Corbusier, but also lets you saunter through the streets of Chandigarh and take a look behind Linkeroever’s façades.
The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.
This necklace, a guild chain, comes from a German or northern Dutch marksmen's guild with St George as its patron saint. It belongs to the so-called guild silver, with objects from the guilds' environment.
The exhibition reveals the intimate relationship between the city and food, from the sixteenth century to the distant future. Follow the trail of food in the city and find out how what we eat has left its mark on the map of Antwerp.
In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
The MAS collection contains a number of beautiful stained-glass windows from the 15th, 16th and 17th centuries. Two of the rare intact examples are listed as Flemish masterpieces: rather large stained-glass windows from around 1600 depicting the Mystical Marriage of Christ.
