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20 years 'Flemish Masterpieces Decree'

What is valuable must be protected. That is the logic of the Flemish Masterpieces Decree. Since the creation of this decree in 2003, just about 1,000 objects and collections have been recognised and protected as masterpieces. Through decree, the government also strengthens public collections by acquiring important masterpieces.

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The conversion of Saul

The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.

Photo series 'Ahopsan Forest'

Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.

Nello and Patrasche

Jan Corteel devoted himself to promoting the story of Nello and Patrasche in Antwerp and Belgium. Over the years, Jan even built up a Nello and Patrasche collection, with all kinds of merchandise and various editions of the book. He donated this collection to the MAS.

Tile panel

The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.

The MAS has many more stories to tell

In the exhibition, you can listen to twelve stories from Antwerp and around the world. But the MAS has collected many more. Read a few more here.

In the MAS

Can you take a stroller into the museum galleries? What do you do with your coat and bag? Where are the restrooms? Find answers to these and other practical questions here.

Grain elevator 19

The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.

Everyday Fear

V-bombs in Antwerp, 1944-1945
In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.

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