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Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

Art at the exhibition

In addition to work by 18th-century artist Katsushika Hokusai, known as 'the Rembrandt of Japan', contemporary art was also well represented in the exhibition.

Yiddish advertisement

Antwerp was a particularly popular port of emigration among Jews from Central and Eastern Europe. These people constituted a sizeable proportion of the Red Star Line’s passengers. The shipping company recruited its “customers” from deep within Eastern Europe.

Small waffles called bastoncelli

100 x Congo

A century of Congolese art in Antwerp

The exhibition '100 x Congo' focuses on one hundred unique Congolese works.What are the stories behind the Congolese objects? And how did they end up here? What was their significance to various Congolese peoples? And where lies the future of the collection?

Area

The Eilandje was the place where people gathered on their way to the New World. The magnificent Red Star Line steamers moored on the quay just before the bend in the Scheldt River. When the steam whistle announced an impending departure, the quay swarmed with activity. The Eilandje is currently a sought after place in the city.

Collaboration

An exhibition with multiple voices

For the exhibition, the MAS collaborates with Belgian and Congolese artists, filmmakers and researchers. An overview.

A venison hotchpotch

New acquisitions on the seventh floor in the MAS

Jan Cox and Daniel von Weinberger

The permanent exhibition 'Life and Death. Gods and Mankind' shares ideas about life and death in different cultures and ideologies. New acquisitions by Jan Cox represent the secular humanism theme. The theme Judaism is given a new interpretation with an installation by Daniel von Weinberger.

100 x Congo

A century of Congolese art in Antwerp

100 X Congo features one hundred highlights. What stories are hidden behind the objects? How did they end up here? What did they mean to Congolese peoples?