The well-being of our visitors and employees is very important to us. We ensure a safe and relaxing museum visit, but we do ask you to take and follow some precautions.
Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.
Flanders possesses a magnificent collection of movable cultural heritage. With the 'Masterpieces Decree', the Flemish government wants to protect these unique cultural objects. Based on the decree, a list of rare and indispensable objects was compiled. Some of them are part of the MAS collection.
People have been fascinated by power for centuries. Why is power so seductive? What kind of prestige accompanies it? A highly topical theme in which – who knows? – you may find some personal relevance.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
You didn't yet manage to come and see '100 x Congo' in the MAS? Or would you like to take another look at the exhibition after your visit? Our guide Baudouin Mena takes you through the museum hall in our digital exhibition and gives you some additional information.
Antwerp is a port city where the world has been mooring at the docks for centuries. The MAS collection is the place where city and world meet. 500,000 exhibits offer a varied perspective on the city and its age-old contacts with the world. Some of them are displayed in permanent and temporary exhibitions, but most are kept in storage. In the Visible Storage area, the MAS lifts a corner of the veil. For the really inquisitive, the MAS also has its entire collection on display online.
FREE ENTRANCE | Discover ‘Tatreez’ (Palestinian embroidery) in the Visible Storage. Historical pieces from the MAS collection are displayed alongside contemporary creations. The presentation shows how this centuries-old embroidery tradition is much more than just decoration on textiles.
The Dutchman Pierre Gole made the exceptional ceremonial table for the castle of Vincennes, as commissioned by Louis XIV himself. It is one of the most important pieces of furniture in public ownership in Belgium.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
