This choir hood is a luxurious robe from around 1500 and is a fine example of the so-called "opus anglicanum". It is one of the few surviving examples that ended up in Flanders. For Antwerp, the image on the choir hood is very special.
Napoleon's visit to Antwerp in 1803 was a high point for the city on the Scheldt. Joséphine de Beauharnais, Napoleon's wife, ordered a painting to immortalise the entry. This is a preliminary sketch for that.
Antwerp, a metropolis on the river. That's how you know the city today. In the MAS you'll discover that this has been true for a long time. A collection of 500,000 pieces offers you a refreshing look at the city and its contact with other cultures.
At Portopolis you put on a VR visor for a 360° tour and feel the port come to life! Walk across the large aeriel photograph and discover all special hotspots on offer in our port.
At the request of the city of Antwerp, the Antwerp artist Guillaume Bijl created the artwork Saluting Admiral Couple for the fifth anniversary of the MAS. The work gives the monumental building a playful and surprising touch.
For the exhibition "Glasses", Luc Tuymans looks back at his oeuvre thematically for the first time. It includes portraits, of ‘nameless people’ and historic figures, and other works. The leitmotiv is a ‘pair of glasses’.
Together with parents and the MAS, arts organisation De Veerman organises an annual writing competition for primary school pupils called 'De Wondere Pluim'. Children get to write a story inspired by an object from our collection.
FREE ENTRANCE | Discover ‘Tatreez’ (Palestinian embroidery) in the Visible Storage. Historical pieces from the MAS collection are displayed alongside contemporary creations. The presentation shows how this centuries-old embroidery tradition is much more than just decoration on textiles.
FREE ENTRANCE | From October 25, 2025, dance is the starting point in the Visible Storage for delving into the MAS collection. Eight people from dance communities in Antwerp rummaged through the depots together with the curators.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.