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The Averbode altarpiece

In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.

Scheldt Free!

The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.

Food, people and the city

Comparative perspectives

This conference, strongly linked to the theme of the MAS exhibition 'Antwerp à la carte', aimed to increase our awareness of food systems as dynamic cultural phenomena. The conference took place between 21-23 September 2022.

Objects in the exhibition

Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.

In collaboration with Antwerp families

The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

Small waffles called bastoncelli